My, there’s quite a lot of ink being shed on this film! And my little column doesn’t cover all I could say about it, either, but here’s an excerpt from my contribution to the conversation:

The best thing the new movie Juno (Jason Reitman, 2007) achieves as it traces the impact of one teenager’s unplanned pregnancy is its refusal to shy away from the complexities and odd juxtapositions of life; in fact, it embraces them, insisting that we look at the messiness of relationships, the rapidly shifting peaks and valleys of emotional intelligence, so that we can begin to understand how a smart girl could have sex without birth control and how a sensitive girl could give a child up for adoption. When sixteen year-old Juno MacGuff (Ellen Page) discovers she’s pregnant, she puts her head in a noose — made out of licorice ropes (she frees herself by taking a savage bite). When she contacts a clinic to arrange an abortion, she makes the call on a hamburger-shaped telephone. Her boyfriend, the father of her child, sleeps in a racecar-shaped bed. As Juno responds when her dad asks where she’s been, “Out dealing with things way beyond my maturity level.”

You can read the rest of my column here at Literary Mama. And while you’re there, check out some of our other columns and a new book review, too!